Everything Not Saved
by MALAPROP

The Guardian Best Shows of Edinburgh Fringe 2018

Melbourne Fringe Award 2018

Award for Excellence Nominee, Brighton Fringe 2018

Best Production Nominee, Dublin Fringe Festival 2017

Winner of the Georganne Aldrich Heller Award, Dublin Fringe Festival 2017

★★★★★ - A Younger Theatre
★★★★★ - The Wee Review
★★★★ - The Stage
★★★★ - The Guardian
★★★★ - The Irish Times
★★★★ - The Independent
★★★★ - The Skinny

This is a show about memory (but not nostalgia).

Come see ex-lovers argue about when they were happiest. Come see police officers rewrite history. They don’t mean to, but they do. Come see Rasputin dance like no one’s watching. Also the Queen is there.

We’re going to feed the present to the past. It’s a kind of ritual. A kind of sacrifice. Memory always is.

#EverythingNotSaved

Directed by Claire O’Reilly

Devised by the company with Carys D. Coburn

Cast: Peter Corboy, Breffni Holahan, Maeve O’Mahony

Set, Costume, Graphic Design by Molly O’Cathain

Lighting Design by John Gunning

Sound Design by Brian Fallon

Stage Managed by Sara Gannon

Produced by Breffni Holahan & Carla Rogers

Production Managed by Dara Ó Cairbre

Thanks:
Dublin Fringe, Project Arts Centre, Theatre Forum, Tyrone Guthrie Centre, Rough Magic, ITI, the Abbey Theatre, the Pavilion Theatre, Live Collision, DU Players, Cork Midsummer, Mark O’Halloran, Stephen Dodd, Bryan O’Donoghue, Fíor Uisce, Mariano Pensotti, Francisco Frazäu, Maiko Yamamoto, Sorcha Brennan, Jim Connell-Moylan, Brian Donnelly, Sorcha Fitzgerald, Norma Howard, Scott Lyons, Dara McElligott, Brian McMahon Gallagher, Grace Morgan, Fiona Stout, Síle O'Kane, Cora Kirwan, Cate Russell, Tina Robinson, Kitty Kirwan, and our fellow MAKE Residency participants.

★★★★★ Everything Not Saved is a carousel of human interactions… Malaprop Theatre have created a masterclass in remembrance, which you will not forget — A Younger Theatre

★★★★ Malaprop’s deeply layered meta-theatricality dances a step ahead of the audience, teasing and probing — The Guardian

★★★★ This is very intelligent and very neatly put together theatre. It knows exactly what it is doing, and it does it with an aesthetic swagger and style that can sometimes be lacking on the fringe — Lyn Gardner, The Independent

★★★★ A wonderfully idea-dense work — The Stage

★★★★ A fascinating, maze-like meditation on reminiscence and record – Irish Times

Superb. A flash of theatricality this awesome isn’t as easy to forget – Exeunt Magazine